Monday, June 12, 2006

Myopia ensures folly



It couldn’t look any better across the street.
...For that’s where the problems first arose.


Spectacular, seat-riveting journeys of fantasy, opening the young minds to realms of boundless possibility... —interrupted.by motives of concessionaires athirst for popcorn and cola profits. Thus ruining the continuity of epic yarns with flimsy appeals to bladder needs. As if we couldn’t hold it.
The final insult: Closing the curtains on the credits. Denying the storytellers their name. And making some pimply-faced kid do the ‘explaining.’
Where does it spiral from here? The rankling of potency. The bile of denial. The smashing of windmills. The umbrage of visionaries.
Next thing you know, the whole ‘hood is affected. Economic downturn. Dreams deferred. Crackpipe Central.
The Living Force has left us.
Such is present-day Lakewood, USA.
This is the wasteland that reflects the inept negligence and vapidity wrought by Eric™.

El Sueño Vano II: Vea... Nada

El Sueño Vano I: ¿Asilo del Alma?

Use Your Noodle

Tuesday, May 30, 2006

On artists and awards.

Last ditch media move to garner readership?
“The People’s Awards” ... “Reader’s Choice” ... “The Popularity Contest”...


When editors and programmers no longer sustain the vision to sufficiently infotain viewership, it seems easiest to pillow-fluff peer validation dreams of players and viewers alike... into the form of pyrite-plated pot metal.
Hey, while were at it, let’s further cheapen our journalistic integrity by tossing our co-worker’s name into the hat
as an ‘inside joke.’
He’s in a band, y’know. It’ll be funny.


And so we see into this alternate universe
there’s an attempt at quantifying artistic merit
counting the uncountable by
snickering desk jockeys and seat-sniffing tastefakers.
Kasey Burton and Richard Kasem stuffing a ballot box in a world where fame has eluded them...


And artists and audiences alike fall for this con every year.



The stringpullers of stardom seem to think they have the last laugh, though they are fools just as much as our “winner” who waves his trophy in faux-triumph in the shallow spotlight. Mere awards are but belt notches on modern culture’s muffin-top waistline on any particular day. It takes time itself to know what art is timeless, and what will become canon.


So go forth, young artist. Be thoughtful. Be prolific. And when sidlers prod you to dilute your craft to impress backstage peers or to ham it up to the cheap seats, just think to yourself, “You can’t please everyone, so why should I?”
And then open your mouth and say, in the sage words of L.L. Carter onstage at the glitzy Coca-Cola Music Awards, “F### you.”

Thursday, May 11, 2006

“Épater le Bourgeois” est bourgeois.



La première poule qui chante a pondu l'oeuf.

The playing up of petty frustrations that you think nemeses will recoil over in response to your baiting and gleeful finger-pointing actually puts you in the bad light, considering eternal truisms...

Old man makes spectacle of denouncing a bogeyman that he himself created.

“Épater le Bourgeois” est bourgeois.

In other words, ‘He who taunts, flaunts.’